Exodus 28:25 - The other two ends of the two braided chains you shall put on the two settings, and put them on the shoulder straps of the ephod in its forepart.
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What does "Exodus 28:25" mean?
This verse, Exodus 28:25, describes the construction and attachment of golden chains to the breastplate of the High Priest's ephod (a type of vestment). Let's break it down:
"The other two ends of the two braided chains...": This refers to the two ends of each of the two gold chains that haven't been previously mentioned. They are the opposite ends from where the chains are connected to the breastplate itself (described earlier in Exodus 28). These ends are free and need to be attached to something.
"...you shall put on the two settings...": The "two settings" (or sockets) are the gold receptacles that are already affixed to the breastplate and have precious stones embedded within them. They're the locations where the breastplate is anchored to the ephod.
"...and put them on the shoulder straps of the ephod in its forepart.": The "shoulder straps of the ephod" are the two broad bands that go over the High Priest's shoulders. These straps are on the "forepart" (front) of the ephod. This means that the ends of the gold chains need to be fastened to the upper part of the shoulder straps, near the front of the ephod.
In summary, the verse describes how the gold chains are used to connect the breastplate to the shoulder straps of the ephod. The two free ends of the gold chains are attached to the settings and the two settings are then attached to the shoulder straps in the front.
Why is this important?
This intricate fastening system was designed to ensure that the breastplate, which contained the Urim and Thummim (objects used for seeking God's will), would be securely and prominently displayed on the High Priest's chest as he ministered before God. The chains and settings were not just functional, but also symbols of the High Priest's connection to God and the importance of his role. The gold material further emphasized the sacred nature of the objects.
Exodus 28:25 - The other two ends of the two braided chains you shall put on the two settings, and put them on the shoulder straps of the ephod in its forepart.
What does "Exodus 28:25" mean?
This verse, Exodus 28:25, describes the construction and attachment of golden chains to the breastplate of the High Priest's ephod (a type of vestment). Let's break it down:
"The other two ends of the two braided chains...": This refers to the two ends of each of the two gold chains that haven't been previously mentioned. They are the opposite ends from where the chains are connected to the breastplate itself (described earlier in Exodus 28). These ends are free and need to be attached to something.
"...you shall put on the two settings...": The "two settings" (or sockets) are the gold receptacles that are already affixed to the breastplate and have precious stones embedded within them. They're the locations where the breastplate is anchored to the ephod.
"...and put them on the shoulder straps of the ephod in its forepart.": The "shoulder straps of the ephod" are the two broad bands that go over the High Priest's shoulders. These straps are on the "forepart" (front) of the ephod. This means that the ends of the gold chains need to be fastened to the upper part of the shoulder straps, near the front of the ephod.
In summary, the verse describes how the gold chains are used to connect the breastplate to the shoulder straps of the ephod. The two free ends of the gold chains are attached to the settings and the two settings are then attached to the shoulder straps in the front.
Why is this important?
This intricate fastening system was designed to ensure that the breastplate, which contained the Urim and Thummim (objects used for seeking God's will), would be securely and prominently displayed on the High Priest's chest as he ministered before God. The chains and settings were not just functional, but also symbols of the High Priest's connection to God and the importance of his role. The gold material further emphasized the sacred nature of the objects.