The verse "You shall make settings of gold," from Exodus 28:13 refers to the crafting of decorative and functional gold enclosures that were part of the breastplate worn by the High Priest in the Old Testament.
Here's a breakdown:
"You shall make": This is a direct command from God to Moses, instructing him to have artisans create something specific.
"Settings of gold": This refers to enclosures or bezels made of gold. These settings were designed to hold and secure the precious stones that adorned the breastplate. Think of them as the ornate frames that keep gemstones in place in a piece of jewelry. The gold would have been carefully worked to create a secure and beautiful housing for each stone.
In essence, the verse directs the creation of the gold frames or mountings that would hold the twelve precious stones that represented the twelve tribes of Israel on the High Priest's breastplate. The settings would have served both a practical purpose (keeping the stones in place) and an aesthetic one (enhancing the beauty and value of the breastplate). They also would have been a sign of the holiness and authority of the High Priest.
The verse "You shall make settings of gold," from Exodus 28:13 refers to the crafting of decorative and functional gold enclosures that were part of the breastplate worn by the High Priest in the Old Testament.
Here's a breakdown:
"You shall make": This is a direct command from God to Moses, instructing him to have artisans create something specific.
"Settings of gold": This refers to enclosures or bezels made of gold. These settings were designed to hold and secure the precious stones that adorned the breastplate. Think of them as the ornate frames that keep gemstones in place in a piece of jewelry. The gold would have been carefully worked to create a secure and beautiful housing for each stone.
In essence, the verse directs the creation of the gold frames or mountings that would hold the twelve precious stones that represented the twelve tribes of Israel on the High Priest's breastplate. The settings would have served both a practical purpose (keeping the stones in place) and an aesthetic one (enhancing the beauty and value of the breastplate). They also would have been a sign of the holiness and authority of the High Priest.